Who Did It Better

Stevie OR Ray?

Stevie Wonder Stevie Wonder 1973

Living for the City

Written by Stevie Wonder

A boy is born in hard time Mississippi
Surrounded by four walls that ain't so pretty

What's this song about ↓

"Living for the City" is a social-justice epic compressed into four minutes of funk. Stevie Wonder recorded it in 1973 as a narrative about a young man who leaves his Mississippi home for New York City, hoping for opportunity, and finds only the same traps in a different location. The song follows him step by step -- the bus ride, the arrival, the arrest, the conviction. Stevie understood that the journey from hope to disillusionment is the same story told in every city. The details change. The pattern does not.

Ray Charles Ray Charles 2004

Variation A — side column

Stevie Wonder 1973
Ray Charles 2004

I already know

Play me a sample

Stevie Ray

I need to be convinced

Variation B — left & right edges

Stevie Wonder 1973

I already know

Play me a sample

Stevie Ray

I need to be convinced

Ray Charles 2004

Variation C — filled color-coded buttons

Stevie Wonder 1973
Ray Charles 2004

I already know

Play me a sample

Stevie Ray

I need to be convinced

The Sunday Drop
One song. One story. Every Sunday.

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Image Credits

1,414 artist portraits across 5 genres (Rock, Jazz, Soul, Blues, Folk). 1,363 sourced from Wikipedia (Creative Commons / Public Domain), 50 from Deezer (promotional artwork).

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Who Did It Better

Stevie OR Ray?

Stevie Wonder Stevie Wonder 1973
Ray Charles Ray Charles 2004

Living for the City

Written by Stevie Wonder

A boy is born in hard time Mississippi
Surrounded by four walls that ain't so pretty

What's this song about ↓

"Living for the City" is a social-justice epic compressed into four minutes of funk. Stevie Wonder recorded it in 1973 as a narrative about a young man who leaves his Mississippi home for New York City, hoping for opportunity, and finds only the same traps in a different location. The song follows him step by step -- the bus ride, the arrival, the arrest, the conviction. Stevie understood that the journey from hope to disillusionment is the same story told in every city. The details change. The pattern does not.

Variation A — side column

Stevie Wonder 1973
Ray Charles 2004

I already know

Play me a sample

Stevie Ray

I need to be convinced

Variation B — left & right edges

Stevie Wonder 1973

I already know

Play me a sample

Stevie Ray

I need to be convinced

Ray Charles 2004

Variation C — filled color-coded buttons

Stevie Wonder 1973
Ray Charles 2004

I already know

Play me a sample

Stevie Ray

I need to be convinced

The Sunday Drop
One song. One story. Every Sunday.

No algorithms. No trending sections. Just a song someone loved and the story behind it. Delivered Sunday morning.

Free. No spam. Unsubscribe anytime.

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